Publications
Books
The two piano sonatas of Dimitri Mitropoulos: From late romanticism to National School of Music, Panas Music, Athens 2011 [405 pages / abstract]
The symphonies of Carl Ditters von Dittersdorf on Ovid’s Metamorphoses: A contribution to the restoration of a milestone in the history of programme music, Panas Music, Athens 2015 [619 pages / abstract]
Elements of music analysis: Harmonic vocabulary, a glossary of musical terms, and guidance for writing papers, a) self-publishing, Athens 2021 [xii + 282 pages]; b) Kallipos / Open Academic Editions, Athens 2022 [xii + 282 pages, plus cover and back cover]
Articles of scientific interest
“The role of the graduates of the
Departments of Musical Studies in musical education”, Musicología 18, Athens 2003, p. 106-114. [abstract]
“A brief speculation about the
principles that rule the chordal progressions”, Polyphonia 3, Athens 2003, p. 106-118. [abstract]
“‘Antis
gia Oneiro’: Attempting a restoration and a comprehension of pebbles of the
New-Hellenic Art Music”, Polyphonia
7, Athens 2005, p. 93-146. [abstract]
“Sonata forms and their theoretical
evolution: The different sonata types – 18th-century theorists (I)”, Polyphonia 8, Athens 2006, p.
36-57. [abstract]
“Interpretative approaches of a
multidimensional work: Beethoven’s Große
Fuge”, in: Olympia Psychopedis-Frangou –
Christoph Stroux – Nikos Tsouchlos – Ioannis Fulias (ed.), Music Analysis and Interpretation (Proceedings of the Second International
Congress of Musicology / Athens
Concert Hall,
4-6 November 2003), Athens Concert Hall’s Organization, Athens 2006, p.
269-289. [abstract]
“Sonata forms and their theoretical
evolution: 18th-century theorists (II)”, Polyphonia 9, Athens 2006, p.
67-97. [abstract]
“Sonata forms and their theoretical
evolution: 18th-century theorists (III)”, Polyphonia 10, Athens 2007, p. 35-64. [abstract]
“Sonata forms and their theoretical
evolution: 19th-century theorists (I)”, Polyphonia 11, Athens 2007, p. 89-118. [abstract]
“Sonata forms and their theoretical
evolution: 19th-century theorists (II)”, Polyphonia 12, Athens 2008, p. 8-37. [abstract]
“The ternary song form in Mozart’s
work: two critical remarks”, in: Markos Tsetsos and Ioannis Fulias (ed.), W. A. Mozart. Fifteen approaches, Nefeli Publishing (“Musicology”
series), Athens 2008, p. 168-202. [abstract]
“Sonata forms and their theoretical evolution: 20th-century theorists (I)”, Polyphonia 13, Athens 2008, p. 61-101. [abstract]
“Sonata forms and their theoretical evolution: 20th-century theorists (II)”, Polyphonia 14, Athens 2009, p. 7-37. [abstract]
“Sonata forms and their theoretical evolution: Concluding remarks on the first three sonata types – The contribution of Sonata Theory by Hepokoski and Darcy to the current scientific debate”, Polyphonia 16, Athens 2010, p. 112-154. [abstract]
“Musike Epitheoresis (Athens, 1921-1922)”, in: RIPM Online Archive of Music Periodicals (Full-Text), 2010. [brief introduction]
“Musika Chronika (Athens, 1925, 1928-1934)”, in: RIPM Online Archive of Music Periodicals (Full-Text), 2010. [brief introduction]
“A Peculiarity in Haydn’s Early Symphonic Work: Form and Possible Sources of the First Movement of Symphony Hob. I:21”, Studia Musicologica 51/3-4, Akadémiai Kiadó, Budapest 2010, p. 419-428. [abstract]
“Sonata forms and their theoretical evolution: The fourth sonata type (“sonata-rondo”) and other related forms”, Polyphonia 17, Athens 2010, p. 96-131. [abstract]
“Minuet and scherzo forms in Joseph Haydn’s whole keyboard repertoire”, in: Giorgos Sakallieros and Ioannis Fulias (ed.), Purcell, Händel, Haydn, Mendelssohn: Four anniversaries (Symposium proceedings, Athens, 27-28 November 2009), University Studio Press, Thessaloniki 2011, p. 157-171. [abstract]
“Sonata forms and their theoretical evolution: The fifth sonata type (“sonata-concerto form”) in 18th- and 19th-century theory”, Polyphonia 18, Athens 2011, p. 86-124. [abstract]
“The question of form of the final movement in the keyboard sonatas by Joseph Haydn in the 1770s”, Musicología 20, Athens 2011, p. 88-143. [abstract]
“Chopin and sonata form: an overall appreciation of a limited but also multi-faceted relationship”, in: Giorgos Sakallieros and Ioannis Fulias (ed.), Three eras – Four anniversaries: Pergolesi, Chopin, Schumann, Barber (Congress proceedings, Thessaloniki, 26 & 27 November 2010), Faculty of Music Studies at the University of Athens, Athens 2011, p. 138-154. [abstract]
“Sonata forms and their theoretical evolution: The fifth sonata type (“sonata-concerto form”) in the 20th-century theory and nowadays”, Polyphonia 19, Athens 2011, p. 7-49. [abstract]
“Dimitri Mitropoulos’ Sonata ‘My soul’ and its position in the broader work of the composer”, in: Ioannis Fulias – Yannis Belonis – George Vlastos – Tassos Kolydas (ed.), Dimitri Mitropoulos (1896-1960): fifty years after (Congress proceedings, Athens Concert Hall, 12-13 November 2010), Ionian University / Music Department / Hellenic Music Research Lab – Edition Orpheus (Ì. Nikolaidis), Athens 2011, p. 33-43. [abstract]
“The birth and the evolution of a composer: Dimitri Mitropoulos in 1910s”, Polyphonia 20, Athens 2012, p. 117-130. [abstract]
“The music of Ludwig van Beethoven through Heinrich Birnbach’s first essays on musical form (1827-1829)”, Polyphonia 21, Athens 2012, p. 52-97. [abstract]
“Researching the early work of the composer Dimitri Mitropoulos: some historical and analytical remarks on his Un morceau de concert for violin and piano”, in: Evi Nika-Sampson – Giorgos Sakallieros – Maria Alexandru – Giorgos Kitsios – Emmanouil Giannopoulos (ed.), Crossroads: Greece as an intercultural pole of musical thought and creativity (Conference proceedings, Thessaloniki, 6-10 June 2011), School of Music Studies at the Aristotle University of Thessaloniki, Thessaloniki 2013, p. 339-345. [abstract]
“Konstantin D. Economo: a pioneer of the science of musicology in interwar Greece”, Musicología 21, Athens 2013, p. 201-233. [abstract]
“Dimitri Mitropoulos and the Greek National School of Music”, Polyphonia 23, Athens 2013, p. 7-36. [abstract]
“The myth of Phaethon in classic and romantic instrumental programme music: Dittersdorf and Saint-Saëns”, in: Ioannis Fulias and Theodoros Kitsos (ed.), Ancient myths and music creation (Symposium proceedings, Thessaloniki, 21 & 22 October 2012), Faculty of Music Studies at the University of Athens, Athens 2014, p. 65-82. [abstract]
“Fidetzis, Byron”, “Leotsakos, George” (revision of previous entry by Dimitri Conomos), “Mitropoulos, Dimitri”, “Nika-Sampson, Evi [Evanthia]”, “Siopsi, Anastasia” and “Tsetsos, Markos”, entries in: Grove Music Online, Oxford University Press, New York, September 2014.
“Introductory Note” and “Critical Commentary”, in: Rena Kyriakou, Concerto for Piano and Orchestra, op. 18 – Full Score (ed. Ioannis Fulias), Hellenic Music Centre, Athens 2015, p. [vii]-[x] and 153-172 (“Introductory Note” also republished in: Rena Kyriakou, Concerto for Piano and Orchestra, op. 18 – Reduction for Two Pianos [reduction: Nikos Poulakis / score editing: Yannis Samprovalakis], Hellenic Music Centre, Athens 2015, p. [vii]-[x]).
“The ‘Maniac’ of G. Brunetti, the ‘Irresolute man’ of L. Kozeluch and the programmatic symphony as a fully developed music genre at about 1780”, in: Ioannis Fulias – Petros Vouvaris – Giorgos Kitsios – Kostas Chardas (ed.), Music and Musicology. Present and future (Conference proceedings, under the auspices of the Hellenic Musicological Society, Thessaloniki, 21-23 November 2014), Hellenic Musicological Society, Thessaloniki 2015, p. 121-143. [abstract]
“The interrelation of speech and music in Dittersdorf’s programmatic symphonies on Ovid’s Metamorphoses (1781-1783)”, Musicología 22, Athens 2015, p. 400-412. [abstract]
“A brief addendum to Konstantin D. Economo”, Musicología 22, Athens 2015, p. 413-416. [abstract]
“Binary and ternary sonata forms in Joseph Riepel’s theoretical work. An attempt of reconstruction and appreciation”, in: Ioannis Fulias – Petros Vouvaris – Kostas Kardamis – Kostas Chardas (ed.), 7th Musicological Conference: “Music, language and arts” (Conference proceedings, under the auspices of the Hellenic Musicological Society, Corfu, 30 October – 1 November 2015), Hellenic Musicological Society, Thessaloniki 2016, p. 11-34. [abstract]
“The four piano concertos of Xaver Scharwenka. A contribution to the examination of the concerto genre during the late romantic period (Part I)”, Polyphonia 29, Athens 2016, p. 7-102; “The four piano concertos of Xaver Scharwenka. A contribution to the examination of the concerto genre during the late romantic period (Part IÉ)”, Polyphonia 30, Athens 2017, p. 7-107. [abstract]
“Rena Kyriakou’s Concerto for Piano and Orchestra, opus 18: its history, a first analytical approach, a critical re-evaluation and an attempt to place the work among the Greek art music creation”, Polyphonia 31, Athens 2017, p. 9-71. [abstract]
“Seeking the beginnings of the large ternary form with hybrid return: Clementi and Reicha”, in: Markos Tsetsos, George Fitsioris and Ioannis Fulias (ed.), A tribute to the memory of Olympia Psychopedis-Frangou (1944-2017), National and Kapodistrian University of Athens / Faculty of Music Studies, Athens 2018, p. 152-175. [abstract]
[In collaboration with Solon Raptakis]: “Aspects of Carl Nielsen’s evolution as a composer through his four string quartets”, in: Kostas Chardas, Petros Vouvaris, Kostas Kardamis, Giorgos Sakallieros & Ioannis Fulias (ed.), 8th Musicological Conference: “Influences and cross-influences” (Conference proceedings, under the auspices of the Hellenic Musicological Society, Athens, 25-27 November 2016), Hellenic Musicological Society, Thessaloniki 2019, p. 440-458. [abstract]
“Anton Reicha and the first systematisation of music forms in the 19th century”, Polyphonia 33-34, Athens 2019, p. 85-120. [abstract]
“Tradition and innovation in Muzio Clementi’s Two Capriccios in form of Sonatas for the Pianoforte, opus 47”, in: Ioannis Fulias, Petros Vouvaris & Kostas Kardamis (ed.), 10th Musicological Conference: “Musical heritage in Western art music” (Conference proceedings, under the auspices of the Hellenic Musicological Society, Corfu, 26-28 October 2018), Hellenic Musicological Society, Thessaloniki 2019, p. 94-111. [abstract]
“Aspects of tradition and modernism in Franz Liszt’s Tre sonetti di Petrarca”, in: Ioannis Fulias, Petros Vouvaris, Kostas Kardamis & Giorgos Sakallieros (ed.), 11th Musicological Conference: “Modernism and Tradition” (on occasion of the 70th death anniversary of Nikos Skalkottas) (Conference proceedings, under the auspices of the Hellenic Musicological Society, Athens, 21-23 November 2019), Hellenic Musicological Society, Thessaloniki 2020, p. 57-95. [abstract]
“Exposition and recapitulation as two fields of thorough development of the thematic material in all sonata movements from Joseph Haydn’s opus 64 string quartets”, in: Kostas Chardas, Giorgos Sakallieros & Ioannis Fulias (ed.), 9th Musicological Conference: “Variations, elaborations, transformations” (Conference proceedings, under the auspices of the Hellenic Musicological Society, Thessaloniki, 1-3 December 2017), Hellenic Musicological Society, Thessaloniki 2021, p. 305-317. [abstract]
“Minuet and scherzo forms in the complete oeuvre of Ludwig van Beethoven”, in: Ioannis Fulias, Katerina Levidou and Iakovos Steinhauer (ed.), Ludwig van Beethoven: 250(+1) years since his birth. Meeting proceedings, National and Kapodistrian University of Athens / Department of Music Studies, Athens 2021, p. 38-79 (with an extended English summary, in p. 143-149). [abstract]
“Rondo-sonata and sonata-rondo mixed forms in Beethoven”, in: Petros Vouvaris, Kostas Kardamis, Giorgos Kitsios, Evangelia Spyrakou, Iakovos Steinhauer & Ioannis Fulias (ed.), Proceedings of the 12th Musicological Conference under the auspices of the Hellenic Musicological Society (Thessaloniki, 27-29 November 2020), University of Macedonia Press, Thessaloniki 2022, p. 407-433. [abstract]
“Rondo, sonata or maybe rondeau? The organisation of form in the rondos of Carl Philipp Emanuel Bach’s late creative period”, in: Kostas Kardamis, Petros Vouvaris, Maria Ntourou, Giorgos Sakallieros & Ioannis Fulias (ed.), 13th Musicological Conference: “Music and Revolution” (Conference proceedings, under the auspices of the Hellenic Musicological Society, Corfu, 19-21 November 2021), Hellenic Musicological Society, Thessaloniki 2023, p. 238-252. [abstract]
“The classical era in music”, in: Irmgard Lerch-Kalavrytinos & Ioannis Fulias (ed.), History of the Western art music, Panas Music, Athens 2023, p. 243-311.
“The minuet tradition and its novel transformations in Anton Reicha’s wind quintets”, in: Ioannis Fulias, Emmanouil Giannopoulos & Dimitris Exarchos (ed.), 14th Musicological Conference: “Histories, traditions, transformations” (Conference proceedings, under the auspices of the Hellenic Musicological Society, Arta, 26-27 November 2022), Hellenic Musicological Society, Thessaloniki 2023, p. 261-278. [abstract]
“Across the borders of music eras and forms: ritornello and concerto-sonata forms in C. P. E. Bach’s concertos”, Studia Musicologica 64/3-4, 2023, p. 217-239. [abstract]
“Towards a reappraisal of the ways of construction and functional integration of the second ritornello in sonata-concerto forms of the classic period, with reference to Carl Philipp Emanuel Bach”, in: Ioannis Fulias, Magdalini Kalopana, Theodore Karathodoros, Tassos Kolydas, Katerina Levidou & Nick Poulakis (ed.), 15th Musicological Conference: “From currency to timelessness: Maria Callas, 100 years from her birth” (Conference proceedings, under the auspices of the Hellenic Musicological Society, Athens, 9-11 November 2023), Hellenic Musicological Society, Thessaloniki 2024, p. 24-40. [abstract]
Other publications (summary)
Articles in
the music periodicals MOY.S.A.
(1998, 1999), Heterophonia
(1998, 1999), Musikes Periplaniseis
(2002), and
Polytonon (2017).
Forewords in music editions (2011).
Programme notes for the Athens Concert Hall, the Athens State Orchestra,
and other institutions (2000-2009), as well as in CD booklets
(2017, 2020).
Articles on
the Internet: classicalmusic.gr (2006-2007).
Book reviews
in the journals Polyphonia (2002,
2003, 2004, 2008, 2011, 2012) and Musicología
(2011).
Translations
(in Greek): Richard
Wagner, Beethoven
(2013);
Constantin Floros, Gustav Mahler –
Visionär und Despot.
Porträt einer Persönlichkeit (2010); Nicholas Cook, Music. A Very
Short Introduction (2007); essays by Blaukopf, Dahlhaus, Finscher, Floros and
others, in journals (Musicología,
Polyphonia), music periodicals (Ta Musika), congresses
proceedings (2003, 2006, 2011) and other collective volumes (2008).
Editing
in
19 conferences / symposia proceedings
and collective volumes (2006, 2008, 2011,
2014-2016,
2018-2024), as well as in several volumes and in the
websites of the journals
Musicología and Polyphonia.
© Ioannis Fulias